{"version":"1.0","provider_name":"F\u00f6rfattarf\u00f6rbundet","provider_url":"https:\/\/forfattarforbundet.se","author_name":"\u00c5sa Nordlinder","author_url":"https:\/\/forfattarforbundet.se\/author\/nordlinder\/","title":"Tidskriften F\u00f6rfattaren granskar det nya ljudbokslandskapet - F\u00f6rfattarf\u00f6rbundet","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UcqSvsNOnL\"><a href=\"https:\/\/forfattarforbundet.se\/tidskriften-forfattaren-granskar-det-nya-ljudboklandskapet\/\">Tidskriften F\u00f6rfattaren granskar det nya ljudbokslandskapet<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/forfattarforbundet.se\/tidskriften-forfattaren-granskar-det-nya-ljudboklandskapet\/embed\/#?secret=UcqSvsNOnL\" width=\"600\" height=\"338\" title=\"\u201dTidskriften F\u00f6rfattaren granskar det nya ljudbokslandskapet\u201d &ndash; F\u00f6rfattarf\u00f6rbundet\" data-secret=\"UcqSvsNOnL\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/forfattarforbundet.se\/wp\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/forfattarforbundet.se\/app\/uploads\/2022\/06\/Moa_Hoff.jpeg","thumbnail_width":800,"thumbnail_height":603,"description":"\"Man blir ju lite orolig f\u00f6r framtiden. Om ers\u00e4ttningen forts\u00e4tter ligga p\u00e5 s\u00e5 l\u00e5g niv\u00e5 f\u00f6r ljud d\u00e4r den st\u00f6rsta f\u00f6rs\u00e4ljningen \u00e4r, s\u00e5 \u00e4r det sv\u00e5rt att se hur det n\u00e5gonsin ska kunna lyfta f\u00f6r f\u00f6rfattare. Det \u00e4r v\u00e4l om man kommer upp i extremt h\u00f6ga lyssningsniv\u00e5er.\""}